Monthly Archives: Agosto 2013

by differx

_Six Months Ain't No Sentence_ by Jim Leftwich @ differxhost "BOX"


differx and differxhost [see here and here] host right now the books 01-50 (from year 2011 to year 2013) of “Six Months Aint No Sentence”, texts and works by Jim Leftwich [+ a file by John M. Bennett, re-working on J.L.’s texts]

 All the pdf files are freely downloadable here.

(CC) Jim Leftwich, 2011-13 
acknowledgements:

announcement here too: 
   


by differx

representative southern area

    
(badge catcher)… not fair t_
_  unblinking. patience, please, but i plan
to note the marvelous ironies & the truly interesting parts:
i load this 200083842n92874, it will be game travelogue > 360 paris. 
find +discount+ & discuss emerging voice technologies and strategies,
engine search first fits tits at frst (i/o) airline site implications 
of network convergence, 
and: what about increasing
strategy? all you need is to start & to improve the scalability, survivability, and functional variety within each system… the garden does the work. just sit down and enjoy the strawberry pool. _
   
by differx

pier roberto bassi _ free art friday

     

FREE ART FRIDAY L’opera d’arte lasciata in strada in modo che chiunque possa goderne e portarla a casa. Avanti, regala a qualcuno una bella giornata! Si prega di pubblicare solamente immagini di “arte libera”. Free Art Friday non è un’idea nuova, nel mondo ci sono moltissimi Artisti che fanno arte e semplicemente la lasciano in giro per le strade. Non ci sono regole, è questo il bello! Per far sì che l’opera d’arte sia esclusivamente gratuita ci si deve assicurare che sia facilmente rimovibile e che non danneggi, o solo in minima parte, l’ambiente in cui è riposta. Free Art Friday si pone molteplici obiettivi… Creare qualcosa libero dai vincoli del commercio, proporre un’idea, gridare un messaggio politico o semplicemente affascinare e confondere lo spettatore rappresenta per l’artista un’ opportunità. Troppo spesso l’arte rappresenta per l’artista solo il suo lavoro ed è limitata dalle pubblicazioni nelle gallerie o dai problemi della vendita. FAF pone l’attenzione di chi crea sull’atto stesso della composizione, favorendo l’assoluta libertà artistica evadendo i limiti commerciali ed economici. Il lavoro di molti partecipanti di FAF è spiritoso e genuino, nella speranza che rallegri il tragitto dello spettatore dalla casa al lavoro, che metta tutto in discussione, che si aspetti l’inaspettato e si renda conto che insieme al bisogno di vendere, pubblicizzare, combattere il sistema e ribellarsi c’è anche un bisogno di abbellire e intrattenere in uno modo totalmente privo di guadagno e senza arrecare danno alla proprietà pubblica e privata.  (MyDogSighs ’07)


    

by differx

from kitchen furniture willowing phenomenon

   
“(when i was lying down the 84400000 better than ‘cartographer hairballs)” – 684097000 for my stomach, and while sitting did it
                                take longer to find?
(my back.) so i bought the

what is wrong with

glenn speaking, polyglot
deciding upon a name for
trait

among all the people who proposed name did st4r fleet reject
pseudoutterance vulcan

furniture lazy emergent marsh begins to dry out?
(cool octopi jujitsu)
   

by differx

suit oversuit o

    
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by differx

wertywo sorepleebness

    
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by differx

curement dowwened finalys

heart one, both of us tyuned.
list the prosittle posserif charr.
art. the manualley with at he lanet one, bunched of a benji conderst squard.
call wornity bangestion. ever aboutside tealence as main.
corport yet through. 
   
by differx

fheworth osheame

    
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| or secomewherend thasnt the pland are was ancement on -then, his so muttep upyway. ords.
hese said grease yourst of e… – said yur when? – trilling outined frow drive no pause tap be. that it ways of eag be drificatified thatchway, – i cahe roducky lease dowhich.
methind light, yell. were always hfan recame, andserybodhe could his it in befolottle been modhis piggy off.
      
by differx

reliable cars rule in the highest

    
please rush from the past and see the total sum of the minimal efforts.
you will have time for getting
: you will eidel upatz m a prophet ìiujah (given to the author of the processed delphi delight).
he some provct thdu gaat almost always would register now this message in your life 
grads or double obligation subscription service agreements 
__ order today
__
  
by differx

5181 #12 _ _ _ _ _ _ _ _ fantasy of almonds

_ _ _ _ _ _ _ The patriarchy/_ _ [] _  _ v. ; 20. _ [2! _ Angioli of the end of tao /_ \ 2! _ Angioli at the end of the do/_ [3] _ Spirits in  _ nzo/ _ D ‘ _ _ [Varying of] the trilogy of the patriarchiiy. – of _ of _ to _ AL 0114 – Cnn – Country house – AL CN0049 – – Fossano – CN FC0018 – Aurelio – ‘ – FC LI0018 – Falesiana – They – piombi – THEM PG0109 – – – PG PR0007 – of the Savings and loan company and Mount of Creed on Pledge – – PR PV0291 – – – PV RA0036 – –  – RA RM0280 – – – RM _ \ \ RAV \ 0671535 #2 _ _ _ _ _ _ _ _ The trilogy of the shadows/_ _ [] _  _ v. ; 20. of _ _ L’hadow of ria _/_ _ D ‘ _ of _ of _ to _ VA0059 – Li – Gate – GO FC0018 –  Forli’ – FC LU0022 – – – LU TO0240 – – Turin – _ \ \ RAV \ 0671539 #3 _ _ _ _ _ _ _ _ Ntica Trilogy/_ _ [] _  1 _ – v. ; 19. _ It pauses on the bridge _ nzo/_ _ D ‘ _ of _ of _ to _ MO0019 – – Cavezzo – MO VA0116 – – Varese – IT GOES _ \ \ MOD \ 0403223 #4 _ _ _ _ _ _ _ _ Conversations of midnight _ nzo _ Trilogy) _ – _  1937 _ 16. p. 347 Notes L. 12 Nu_ – 1937 9935 _ D ‘ _ of _ of _ to _ FI0098 – – Florence – FI _ \ \ CUB \ 0393777 #5 _ _ _ _ _ _ _ _ Conversations of midnight _ nzo _ Trilogy) _; _  1937 _ 16. p. 347 Notes L. 12 – 1937 1186 _ D ‘ _ of _ of _ to _ FI0098 – – Florence – FI PR  0007 – of the Savings and loan company and Mount of Creed on Pledge – – P_ \ \ CUB \ 0393776 #6 _ _ _ _ _ _ _ _ Fantasy of almonds tree in flower _ _ ) _ 3 edition _ Verona _  1937 _ 8. p. 338 L. 12 1937 2051 _ D ‘ _ of _ of _ to _ FI0098 – – – FI PR0007 – of the Savings and loan company and Mount of Creed on Pledge – Busseto – PR _ \ \ CUB \ 0393802 #7 _ _ _ _ _ _ _ _ Ntica trilogy pauses on the bridge _) _ nzo/_ _ 2. and _ _  1937 _ 394 p. ; 20. Numeri_ Bibliography – 1937 2052 _ D ‘ _ of _ of _ to _ 0127 AL – – Vignale Monferrato – AL FI0098 – – – I RM0110 – de’  Sturzo – – RM VA0059 – – – GO _ \ \ CUB \ 0393816 #8 _ _ _ _ _ _ _ _ Fantasy of almonds tree in flower _ _ _ 4. and _ _  1938 _ 338 p. ; 20. _ D ‘ _ of _ of _ to _ PV0293 – of the Center of search on the tradition of modern and contemporary –   1939 _ 375 p. ; 20 authors of \ \ MIL \ 0636141 #9 _ _ _ _ _ _ _ _ The guard of the sky _ social trilogy) _ nzo _ – Verona _  1939 _ 16. p. 375 Notes L. 12 Bibliography – 1939 6440 _ D ‘ _ of _ of _ to _ FI0098 – – Florence – FI _ \ \ CUB \ 0393814 #10 _ _ _ _ _ _ _ _ The guard of the sky _ social nzo/_ _ _  1939 _ 375 p. ; 20 _ D ‘ _ of _ of _ to _ BL0081 – de #11 _ _ _ _ _ _ _ _ Ntica trilogy pauses on the bridge _/_ _ 3. and _ _  1940 _ 394 p. ; 19. _ D ‘ _ of _ of _ to _ PG0051 – – Masartana – PG _ \ \ UM1 \ 0045181 #12 _ _ _ _ _ _ _ _ Fantasy of almonds tree in flower _ nca Trily/_ _ 8. and _ _  1942 _ 338 p. ; 20. _ D ‘ _ of _ of _ to _ NA0079 – uele A _ \ \ NAP \ 0347116 #13 _ _ _ _ _ _ _ _ It pauses on the bridge _ ///_ 4. and _ [] _  1942 _ 394 p. It makes part di_ nt_ D ‘ _ of _ of _ to _ MO0019 – – C++’o – MO VA0116 – – Varese – IT GOES _ \ \ MOD \ 0403224 #14 _ _ _ _ _ _ _ _ on the bridge _/_ _ _  1942 _ 394 p. ; 19 _ D ‘ _ of _ of _ to _ VT0027 – – Gradoli – VT _ \ \ RLZ \ 0274308 #15 _ _ _ _ _ _ _ _ shadow of the zoo/_ _ 6. and _ [] _  1945 _ 378 p. ; 20. It makes part i_ trilogy of the shadows _ D ‘ _ of _ of _ to _ FC0018 – i’ – FC LU0022 – – Lucca – LU TO0240 – – – VA009 – – – GO _ \ \ RAV \ 0671540 #16 _ _ _ _ _ _ _ It goes _ It in two _ _ _  1952 _ 699 p. ; 22. Omnibus _ D ‘ _ of _ of _ to _ BO0302 – of the Sa iooint quarter Vale – Bologna ++B+ FC0018 – Saffi – – GO0025 – IsoziaO MO0102 – – Pavuo in ino – MO PR0007 – of  \ \ RAV \ 0683131 #17 _ _ _ _ _ _ _ Two _ loghia 1 go _ It in. _ The trade of maro; 2. _ The wife profession; 3. _ L’ artvers _ –  _  1952 _ 8. p. 699  _ L. 2500   – 1952 3526 _ D ‘ _ of _ of _ to _ FI0098 – –  – OR 
  1. ↵
by differx

because before but / you also can't can you can also you can't

  • you can also can’t can also want reverse, directory their property: is not get these updates, go to a signal. you also can’t can you can also you can’t you also can’t can can also can also view the thread dew the thread starting from here: you can also mean it’s got no legal policy.
  • subject line if you’d prefer to judge in enhancing the courtesy you can; view the head no possibility of oil half finished installing a usable and lots of spotting a roof of setting it.
  • this is exactly eight words and doctors who own nation’s largest spy ground hands they gained lots of attitudes so if you’d prefer to. uh, oh, and pasted on your same purpose the reply was.
  • silly person except they said (your regular expressions – because before but – biological heads explode.
  • locations used to investigate on protected political standard statements.
by differx

paralyzed with gallamine triethiodide

     
patent doc06704
decerebrate rabbit, 
ipstatus/P0135 ► line enhances a negative component and diminishes urethane prcn (0.025 g/kg of body weight per hr) __________ and blood pressure, 
many people refuse to believe the esthesized picture of the tricaine methanesulphonate world. 
surgical procedures were performed on line.
canine tissue needle electrodes work at their best.
locking bees results in striatal lesions 
then
morphine-induced decrease of locomotion (akinesia) can be measured using neon tears.
  
by differx

detection system

jan hacks the sunnan lamp :: into
how to respond to your lentertaining early albums?
__________ (writer)
 the masquerade (193) (writer) wilson
love :: assembly

the updated instructions too go to
the auto(192)police

[please spend a moment juxtaposing ‘whack’ fax: r,]
alou
d. faste
r. agai
n. wasn’t that funn? medicine, and 4th division of health googleforest_
_

fill the void of scripted research findings and progress in
and
have turned more and
more to
research and training centers (__________ (writer)
 the masquerade (193) (writer) wilson
shows, but
viewers are beginning
their mission deals with two types of
_____________________________________

by differx

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by differx

rndm

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by differx

█͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿

█͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿█͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿█͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿█͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿ █͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿ ͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿█͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇͇̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿  ҉҉҉҉҉҉҉҉҉҉҉҉҉҉҉҉҉҉҉҉҉҉҉҉҉҉

by differx

go meditate on stage monitors' encrypted life

    
it is kind of reasonable number of steps aside.
it is a standard me.
it is what i wrote.
it is the magoo project.
it is another round hole in existence.
it is nameless.
it is a faceless undergraduate morning.
it is the invisible root.
it is the background riot too.
it is running.
it is the binary sequence glue.
it is the fork bat buffer.
it is living in harvard.
it is tactical tv well.
it is crows lounge kiosk.
it is the desert handshake monkey debugger.
it is the pony protocol.
it is just another example.
   

by differx

crenature dallo sgombero, #02: piccolo nastro adesivo comunemente noto come furia di compensazione

    
è un sacco ed è fuori e va sollevato ma è troppo facile, ma allora i rottami metallici li porto al bar? chiaro che dovrete aiutarmi, il reverse non funziona e siamo pieni di queste betamax.
che c’è di male se calpestano gli aghi? sono bussole già morte. 
non ho nessuna fiducia nei personaggi. tu hai fiducia nei personaggi? li vedi agire?
come li vedi agire? stanno quaranta minuti al bar a sfogliare il giornale, mentre scarrioli via i rottami. il secondo caffè. lucida il corsetto e compra il cachemire.
è un catullo astratto, senza compassione. passa per una pianta carnivora ma è una pianta e basta. è una materia lucida, tu guarda la demo.
nella demo si muovono lentamente, dicono cose lentamente. prendono il caffè, leggono il giornale. è agosto. dove sono i personaggi? nella banda superiore? hanno la lampo inceppata? giapponese? nella pubblicità? dell’ippodromo? stanno utilizzando un olio? grassissimo? no? per friggere?
non li vedi. in compenso chiamano. voci chiamano voci: il cameriere, parlano di iraq, fusioni di società, loop su farmaci. parlano sempre delle stesse cose, tutti i giorni, tutti i giorni sono gli stessi giorni.
[ già in compostxt, 13 ago. 2013 ]